Photographs in Context, II
Reading Charles Cunningham, “To Watch the Faces of the Poor: Life Magazine and the Mythology of Rural Poverty in the Great Depression,” a 1999 article published in the Journal of Narrative Theory. In preparation for discussion, please respond in writing as follows:
- On pp 283-290, Cunningham explores the significance of the pioneer myth for the political debate over what should be done about farmers displaced by the Dust Bowl. Why, according to Cunningham, did mass media images of rural poverty primarily feature poor whites? How does Cunningham summarize the binary distinction he presents between two contrasting views of poor whites?
- On pp 290-293, Cunningham shifts to consider the place of African-Americans in the mythology of the American frontier. As you read this section, take another look at Marion Post Wolcott’s photograph, “Jitterbugging in Negro juke joint.” How might Cunningham’s account cause you to reconsider your understanding of the political message of this image?